It’s been over 20 years since the French-Spanish luminary, Manu Chao, first released his multilingual, landmark debut, Clandestino. A prescient meditation on the neither-here-nor-there, limbo state of “clandestinos” — the Spanish equivalent of a derogatory term for undocumented migrants — Clandestino saw Chao traverse a multitude of languages and genres …
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