Any resemblance to actual persons, living or dead, is anything but coincidental in Abel Ferrara’s Tommaso; short of giving the protagonist (“hero” might be pushing it) the same name as the Bad Lieutenant director, the connection between Willem Dafoe‘s wiry, wound-up cineaste in front of the camera and the living …
Read More »'Tommaso' Review: A Filmmaker's Exorcism, Italian Style
